ARABESQUE
As one of Japan’s premier shopping and
entertainment districts, Ginza is home to myriad high-class clubs. Prompted by
an invitation from Taki Tanaka, the owner of fashion-forward boutique IZA, a
project to create a luxury club in Ginza was launched with a group of
like-minded creatives.
The club is named Arabesque. The owner has
played the piano from a young age, and named the club after ornamental,
dreamlike arabesque musical compositions. The etymology of arabesque goes back
to decorative patterns in the Arabic tradition. The musical style is derived
from this meaning, with arabesque compositions featuring melodies unfolding with
regular rhythms that repeat and notes that get woven together. We decided to
include elements representing both arabesque melodies and decoration in the
space.
Arches are one of the most recognizable
Arabic decorative motifs, but when repeated their symmetry creates uniformity
that lacks variation. We therefore decided to also cut the arch shape in half
and use half-arches to create asymmetrical connections liberated from unvarying
uniformity. This gave us greater flexibility in arranging design elements and
visually creates variation
The arch and half-arch motif begins at the
entrance door and extends to the reception, bar and main lounge in a connected
design that flows like the unfolding of a melodic rhythm. Accessed last after
passing through the other areas, the main lounge is given an atmosphere of
opulence created by employing greater design freedom and heightened variation.
The half-arches build the impression of leading to something and enhance
cohesion with the entire space. All table tops in the club feature
illustrations by Hiroshi Tanabe that elegantly embellish the seated space and
stimulate guests’ artistic sensibilities.
The project takes the associations with the
club’s name—both the original meaning and the owner’s inspiration for the
name—and interprets them throughout the space. The nightlife of Ginza has faced
unprecedented adversity during the COVID-19 pandemic, and we hope that our
design in Ginza creates a stir that sparks renewed energy and new beginnings.
Completion | 2021.7 |
Location | Chuo Ward, Tokyo |
Purpose | Club |
Area | 118.43㎡ |
Client | SOLEIL Co., Ltd. Maika Kamijo |
Creative direction | Taki Tanaka (CEO of IZA) |
Interior design | Ryutaro Matsuura(RENS), Takuro Ishizawa(RENS), Hibiki Ito (NOMURA) |
Partners | Illustrations by Hiroshi Tanabe Graphic design by Ilker Kayserilioglu Nishijin textiles by Masataka Hosoo of HOSOO Co., Ltd. |
Cooperation | Lighting design by Takahiro Muranishi of TACT, Daiko Electric Color Kinetics Japan: Fumiko Muto |
Construction | NOMURA |
Photography | Nacása & Partners |
Completion |
2021.7 |
Location |
Chuo Ward, Tokyo |
Purpose |
Club |
Area |
118.43㎡ |
Client |
SOLEIL Co., Ltd. Maika Kamijo |
Creative direction |
Taki Tanaka (CEO of IZA) |
Interior design |
Ryutaro Matsuura(RENS), Takuro Ishizawa(RENS), Hibiki Ito (NOMURA) |
Partners |
Illustrations by Hiroshi Tanabe Graphic design by Ilker Kayserilioglu Nishijin textiles by Masataka Hosoo of HOSOO Co., Ltd. |
Cooperation |
Lighting design by Takahiro Muranishi of TACT, Daiko Electric Color Kinetics Japan: Fumiko Muto |
Construction |
NOMURA |
Photography |
Nacása & Partners |